mastery of the dance move in May of 2012. Who didn’t take a few steps back and hit them with a blow, mid-stride, at the sound of Wizkid’s “Azonto?” The track, which was released in early 2012, was very well received both on the continent and in the diaspora. Although the dance had long been celebrated in its native nation Ghana where it originated, it really gained international fame through today’s contemporary West African music scene via artists like Nigerian artist like Wizkid and Ghanaian artists like Sarkodie and Tiffany. In the summer of 2012, Wizkid’s then (and rumored soon to be again) label EMEstarted EME Wednesdays, where the label chose to release one music video every Wednesday. This lasted for about a month. But none of the videos released were for Wizkid’s Azonto. There were videos for other Wizkid songs but Azonto was not one of them. Fans demanded to know when a video for the much loved track would be released, and were promised one in the near future. 2012 came and went without an Azonto video.
Not only was I disappointed in the fact that this video was released extremely late, I was just plain disappointed in the video. There was and is no cohesion between the video and the underlying musical track. You had the nerve to release a video over a year later, then you deliver Tiwa in a white dress flying around like winchy winchy? To what effect please? Dear Nigerian Artists, please remain consistent!This was my complaint last week when BeyoncĂ© (America’s black sweetheart) released her latest hot ratchet mess track. When you start marketing a particular track as a party track, you can’t just turn around and shoot some Evanescence “look at me I’m so deep and artsy” looking video expecting your fans to just “get it.”
So why release a video over a year later?
Tiwa and Wizkid are not the only Nigerian artists to neglect hungry fans in need of videos. This is not Don Jazzy’s first time as a late comer in the video department. When Mo’ Hits ruled the Nigerian music Industry, D’Banj and Jazzy perpetually released videos long after D’Banj’s songs had reigned and expired. That was at a time when Nigerian fans were hungry for Nigerian music videos and would take anything they could get. Maybe they thought we wouldn’t notice (We DID!!). Or maybe they thought we would just be happy to see Nigerians on Channel O and MTV. But at a time when even I can be found on MTV Base, that last argument is hard to make.
Party tracks, unlike ballads, burn quick and die fast. Once it’s gone, it’s gone and there will be no revival. And at a time when even Vic-O can make a music video, delivering a video almost a year later (especially one that lacks cohesion with the underlying track) is unacceptable. This was very poor marketing on the part of Star Boy and Mavin Records.American artists release videos for songs off their albums months after the albums hit stores. But they release videos for popular songs as soon as possible. The later videos are to attract attention to songs that the artists or the labels believe have not received the media attention they deserve.
You cannot release a track on its own (not as part of an album) and then decide to shoot a video for it over a year later, claiming that it will be on your new album like we won’t notice that it’s old material. Acknowledge the age of the material.You can even give us some crap about how much you love the track and just had to shoot a video for it. Communicate with your fans. But don’t act like they’re dumb, because they’re not. Wizkid’s Azonto
Without my Heart by Tiwa Savage
-Ollachi Holman
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